Stella Cole
Sings the Great American Songbook
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DateJune 4, 2026
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VenueBennett Gordon Hall
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Event Starts7:30 PM
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Public Gates6:00 PM
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Ticket Prices$45
All tickets show the “all-in” price, fees included. Availability and prices are subject to change.
Reserved Seat Ticket: $45
At Bennett Gordon Hall, a concessions stand is open in the lobby, including bar service.
Know Before You Go
Getting to Ravinia: Parking, Rideshare & Train
Free Parking Onsite • Free Metra UP-N Train
Park in the South Parking Lot at 201 St. Johns Ave. The lot opens 30 minutes before the listed “Public Gates” time.
Park and Ride shuttles are not in service for this event, and no other on-site parking lots are open.
Alert your driver: Uber, Lyft, and other car services must use one of the following parking lots to drop off and pick up guests.
- South Parking Lot (201 St. Johns Ave)
- Braeside Train Station (10 N. St. Johns Ave) — ¼ mile walk from Ravinia
- No drop-offs or pick-ups are allowed on public streets. If Highland Park Police or Ravinia staff redirect traffic, please follow those instructions.
Ride the Metra Union Pacific North Line train to and from our main entrance for free with your Ravinia ticket.
More Train Info
Views of the Stage
Bennett Gordon Hall is an indoor venue.
The stage is not visible from any location on the Lawn, nor is audio from the performance broadcast to the Lawn.
Prohibited Items
Any item deemed harmful or unsafe by Ravinia staff is prohibited.
While comfort and enjoyment of a night out at Ravinia are our top priorities, guests are prohibited from bringing the following items into the park:
- Firearms or explosives (including those possessed by off-duty officers or concealed carry license holders)
- Professional photographic and video or audio recording equipment
- Grills, firepits, or large open flames
- Chafing fuel or other canned heating products (e.g., Sterno)
- Beer kegs
- Athletic equipment (e.g., balls and flying discs)
- Bicycles, scooters, or skates (bike racks can be found outside the west and south entrances)
- Animals, except for service animals trained to do work or perform tasks for people with disabilities
- Tents or canopies
- Umbrellas over six feet in diameter
- Anything that needs to be staked into the ground
- Drones or other flying apparatus
- Items intended for protest, solicitation, or promotion not related to the event
Contact the box office (847-266-5100) with any questions.
Performance Content
At Ravinia, we believe that music has the power to bring people together. While we do not control what artists share, we ask all participants—artists and audiences alike—to uphold the spirit of respect, community, and connection that Ravinia offers.
Should any circumstance threaten physical safety, we will take appropriate action to ensure the well-being of our guests, artists, and staff.
About the Performance
Stella Cole comes naturally to her repertoire “I grew up on old movie musicals,” she remembers. “When I was two years old, my parents sat me down in front of the TV and turned on the VHS of The Wizard of Oz. I've just been obsessed with that movie my whole life, and because of it, I started singing before I could even talk.”
As an artist, Stella found a way of thriving – and launching a musical career – at a moment when most performers were struggling. In 2020 and 2021, Cole began posting videos of herself singing on YouTube, Tiktok, and other social platforms. Her performance of “Everybody Says Don’t” (Anyone Can Whistle), hit 40,000 views right out of the gate.
After lockdown, she moved to New York, where her career really went up a notch. She began working live all over the city, and was soon seen at Birdland, the Café Carlyle, and even Carnegie Hall and Madison Square Garden. In 2023, she worked with Scott Bradlee’s Postmodern Jukebox, with whom she toured the entire country, as well as Australia and New Zealand. Her interpretations of Billy Joel’s “Uptown Girl” and Miley Cyrus’s “Flowers” added over ten million more views and streams to her list of accomplishments.
Reflecting on her pandemic success, Cole shares: “During the lockdown, thousands of people were sending me messages saying, ‘You don't know how much you've helped me,’ and ‘your music is the one thing cheering me up right now.’That’s the most gratifying thing of all, experiencing how this music can actually help people.”