

Bach in Brazil
Plínio Fernandes, guitar
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DateAug 26, 2025
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VenueBennett Gordon Hall
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Event Starts7:30 PM
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Public Gates6:30 PM
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Ticket Prices$20
An order processing fee will be added to your cart at checkout.
Reserved Seat Ticket: $20
Concession Stands are open with a range of grab-and-go food, drinks, and snacks.
Cashless: Cash will not be accepted at Dining Pavilion restaurants, bars, or concessions. Please bring a credit/debit card or other cashless forms of payment.
About the Performance
Acclaimed for his masterful fusion of classical guitar with Brazilian folk music, Plínio Fernandes takes audiences on a captivating journey through Bach and his echoes in Brazilian music. Known for his extraordinary technique and deep understanding of both classical and traditional Brazilian genres, Fernandes explores the intersection of Baroque precision and the vibrant rhythms of South American folk traditions in a program that blends the best of both worlds.
The performance features a range of iconic works, beginning with the prelude from Heitor Villa-Lobos’s Bachianas Brasileiras, where Brazilian folk melodies meet the counterpoint of Bach. Fernandes continues with J.S. Bach’s Prelude, Fuga & Allegro, bringing the intricate structures of the Baroque master to life on the guitar, before shifting to Villa-Lobos’s Five Preludes.
The program also features innovative interpretations of popular Brazilian songs, including Violeta Parra’s “Gracias a la Vida,” Ary Barroso’s “Aquarela do Brasil,” and “Beatriz” by Edu Lobo and Chico Buarque. Fernandes concludes with João do Bandolim’s playful “Assanhado,” a piece that embodies the rhythmic vitality of Brazil’s music.
Performers
Plínio Fernandes, guitar
Program
Heitor Villa-Lobos: Bachiana Brasileira No. 4
Johann Sebastian Bach: Prelude, Fuga and Allegro in E-flat major, BWV 998
Heitor Villa-Lobos: Five Preludes for Guitar
Violeta Parra: “Gracias a la Vida”
Ary Barroso: “Aquarela do Brasil”
Edu Lobo/Chico Buarque: “Beatriz”
João do Bandolim: “Assanhado”