Ravinia’s Steans Music Institute: Program for Singers

$10 BGH Classics series

Bennett Gordon Hall
Monday, August 8, 2016
5:00 PM
Gates Open
6:00 PM
Concert Starts

Tickets: $10
No lawn sales

Program

Johnson
(1583-1633)
  Where the Bee Sucks
It was a Lover and his Lass
Morley
(1557-1602)
 
  Hark, Hark the Lark
Full Fathom Five

O Mistress Mine

Dorothy Gal, soprano
Richard Smagur, tenor
Peter Walsh, piano
Bretton Brown, piano

Dorothy Gal’s participation in Ravinia’s Steans Music Institute is made possible by the Ravinia Associates Board Fellowship.

Richard Smagur’s participation in Ravinia’s Steans Music Institute is made possible by the Arthur J. and Glenna B. Collins Memorial Fellowship.

 
Schubert
(1797-1828)
  An Silvia
Ständchen
Trinklied


Samuel Hasselhorn, baritone
Javier Arrebola, piano

Samuel Hasselhorn’s participation in Ravinia’s Steans Music Institute is made possible by the Grace Bersted Fellowship and the Mason Foundation Fellowship.
 
Saint-Saëns
(1835-1921)
 
  La mort d’Ophélie

Felicia Moore, soprano
Javier Arrebola, piano

Felicia Moore’s participation in Ravinia’s Steans Music Institute is made possible by the Benjamin F. Hirsch Memorial Fellowship from Mr. and Mrs. Denis J. Healy, the Frances L. Osgood Fellowship from Mrs. Gilbert H. Osgood, and the Soretta and Henry I. Shapiro Fellowship.
 
Berlioz
(1803-1869)
  La mort d’Ophélie

Shahar Lavi, mezzo-soprano
Bretton Brown, piano

Shahar Lavi’s participation in Ravinia’s Steans Music Institute is made possible by the Eleanor L. Scher Memorial Voice Fellowship from Ms. Scher’s family and the Samuel R. Sherwin Memorial Fellowship from his family.
 
Chausson
(1855-1899)
  Chant funèbre, Op. 28, No. 4

Heather Phillips, soprano
Felicia Moore, soprano
Maya Yahav Gour, mezzo-soprano
Emily D'Angelo, mezzo-soprano
Peter Walsh, piano


Heather Phillips’ participation in Ravinia’s Steans Music Institute is made possible by the Carol L. Linne and the Carl E. Horn Fellowship.

Emily D’Angelo’s participation in Ravinia’s Steans Music Institute is made possible by the Fanny R. Simmonds Memorial Fellowship from Mr. and Mrs. Murray J. Vale and from Mr. and Mrs. Edwin E. Hokin, the Dan Saslow Fellowship from Fay Saslow Stern, and the James Sassower Memorial Fellowship from Mr. and Mrs. Joram Sassower.

 
 
INTERMISSION
 
Schumann
(1810-1856)
 
  Schlusslied des Narren, Op. 127, No. 5

Samuel Hasselhorn, baritone
Javier Arrebola, piano

Samuel Hasselhorn’s participation in Ravinia’s Steans Music Institute is made possible by the Grace Bersted Fellowship and the Mason Foundation Fellowship.
 
Cornelius
(1824-1874)
  Komm herbei, Tod!

Magali Simard-Galdès, soprano
Maya Yahav Gour, mezzo-soprano
Brent Funderburk, piano

Magali Simard-Galdès’ participation in Ravinia’s Steans Music Institute is made possible by the S.J. Ipsen Fellowship and the Morris and Evelyn Muskal Fellowship.

Maya Yahav Gour’s participation in Ravinia’s Steans Music Institute is made possible by the Marilyn Heath Fellowship.
 
Wolf
(1860-1903)
  Lied des transferierten Zettel

Andrew Haji, tenor
Brent Funderburk, piano

Andrew Haji’s participation in Ravinia’s Steans Music Institute is made possible by the Bettie Port Memorial Fellowship from the Port, Washlow, and Errant families.
 
Korngold
(1897-1957)
  From Four Shakespeare Songs, Op. 31
Desdemona's Song
When birds do sing

Magali Simard-Galdès, soprano
Bretton Brown, piano

Magali Simard-Galdès’ participation in Ravinia’s Steans Music Institute is made possible by the S.J. Ipsen Fellowship and the Morris and Evelyn Muskal Fellowship.
 
Sibelius
(1865-1957)
  Two Songs from Shakespeare, Op. 60
Come Away Death
With a hey, ho, the wind and the rain

Timothy Renner, baritone
Javier Arrebola, piano

Timothy Renner’s participation in Ravinia’s Steans Music Institute is made possible by the Howard A. Stotler Fellowship..
 
Shostakovich
(1906-1975)
  Tired with all these, Op. 62, No. 5
Eisler
(1898-1962)
  Horatio’s Monolog, from Sonette Lieder, Op. 66

Alex Rosen, bass
Nikolay Verevkin, piano

Alex Rosen’s participation in Ravinia’s Steans Music Institute is made possible by the FMC Technologies Fellowship, the Waldo Morgan Allen Memorial Fellowship, the HSBC-North America Fellowship, and the Mary Herron Replogle Memorial Fellowship.
 
Fortner
(1907-1987)
  The Poor Soul Sat Sighing

Kevin Ray, tenor
Peter Walsh, piano

Kevin Ray’s participation in Ravinia’s Steans Music Institute is made possible by the Lois M. Steans Fellowship from the Morrison Family Foundation and the John N. Stern Fellowship.
 
Argento
(b. 1927)
  From Six Elizabethan Songs
Winter
Dirge

Maria Valdes, soprano
Javier Arrebola, piano

Maria Valdes’ participation in Ravinia’s Steans Music Institute is made possible by the Celia K. and Sol J. Hammerman Memorial Fellowship.
 
Britten
(1913-1976)
  Fancie
Ives
(1874-1954)
  Sea Dirge

Andrew Haji, tenor
Brent Funderburk, piano

Andrew Haji’s participation in Ravinia’s Steans Music Institute is made possible by the Bettie Port Memorial Fellowship from the Port, Washlow, and Errant families.
 
Nyman
(b. 1944)
  Full Fathom Five, from Ariel Songs

Anne Wright, soprano
Brent Funderburk, piano

Anne Wright’s participation in Ravinia’s Steans Music Institute is made possible by the Ravinia Women’s Board Program for Singers Fellowship.
 
Amram
(b. 1930)
  The Wind and the Rain, from Five Shakespeare Songs

Dorothy Gal, soprano
Peter Walsh, piano

Dorothy Gal’s participation in Ravinia’s Steans Music Institute is made possible by the Ravinia Associates Board Fellowship.